Work that we’ve made, or toured, or presented, or supported.
Amidst the largest collective crisis many of us have ever faced, how do we care for ourselves in honest and compassionate ways in order to minimize pain, and to heal? Elegant Animal is a socially distanced self-care creation from In Arms Theatre, taking place in the audience member’s own home, in their own time.
For Love Sake stems from Sarah's memory and PTSD of some childhood trauma and abuse that she experienced; her acknowledgement of them; and the road to healing from them. She explores their effect on her psyche and her perception of reality, along with the evolving relationship with her family from the beginning to this point in her life.
Around 100 years ago, Nellie McClung joined other Manitoban Women in a Mock Parliament asking the question “should men vote?" Most Albertans and other Canadians know Nellie McClung from after she moved to Alberta and became one of the “famous 5”, the women who challenged the idea that women were not considered persons under the law. Having experienced a different side of this legacy, a young Manitoban questions the common narrative and wonders why the rights of so many marginalized women are still sacrificed in order to promote it.
Ghost: Return to Mourning is an experimental exploration of death, balancing autobiographical sentiment with external pressures regarding the healing that often needs to takes place. It encourages viewers to ruminate on past memories and divulge hidden truths to help us face darkness within ourselves when it comes to overcoming inauthenticity and accessing vulnerability.
In 2017, Swallow-a-Bicycle ran a performance incubator called Discomfort Lab, as a way of testing our company's mandate of supporting work which engages in 'productive discomfort'. We gave artists space, money, and time. We endeavoured to hold space for uncomfortable conversations. The overwhelming feedback we got from Calgary's performance community was: YES TO THIS. MORE DISCOMFORT PLEASE.